- Twelve Songs Commentary: Introduction
- A Survey of Previous Commentaries/Bibliography
- Song One
- Song Two
- Song Three
- Song Four
- Song Five
- Song Six
- Song Seven
- Song Eight
- Song Nine
- Song Ten
- Song Eleven
- Song Twelve
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Song Twelve, verses 7–10 & Summary
Verse 7
七ツ なにかめづらしこのふしん しかけたことならきりハない
七つ 何か珍しい此の普請 仕掛けた事なら切りはない
Nanatsu / Nanika / mezurashi / kono fushin / shikaketa koto nara kiri wa nai
Seven / how / extraordinary / this construction / once it is begun/ there is no end to it
Song Twelve, verses 1–6
Verse 1
一ツ いちにだいくのうかゞひに なにかのこともまかせおく
一つ 一に大工の伺いに 何かの事をも任せ置く
Hitotsu / Ichi ni daiku no ukagai ni / nanika no koto mo makase oku
One / First to / carpenter’s invocation / all matters / entrust
Song Eleven, verses 5–10 & Summary
Verse 5
五ツ いつ/\までもつちもちや まだあるならバわしもゆこ
五つ 何時何時迄も土持や まだあるならば私も行こう
Itsutsu / Itsuitsu made mo tsuchimochi ya / mada aru nara ba / washi mo yuko
Five / Always / carrying of earth / still if there is / I too will go
Song Eleven, verses 1–4
The main theme of this is Song is hinokishin toward the construction of the Kami’s “abode” (yakata). An example of such hinokishin is presented in the tangible form of carrying earth.
It may be noted it is quite appropriate that a Song with such a theme happens to be the “busiest” of the Twelve Songs. That is, there is a lot of arm swinging and hauling dirt that’s going on.1
Verse 1
一ツ ひのもとしよやしきの かみのやかたのぢばさだめ
一つ 日の本(火の元)庄屋敷の 神の館の地場定め
Hitotsu / Hinomoto / Shoyashiki no / Kami no yakata no / Jiba sadame
One / origin of the Sun / in Shoyashiki / Kami’s abode
Continue reading Song Eleven, verses 1–4
- Song Eleven contains more dynamic motions (11x) than any other Song in the Teodori. The Song that comes closest is Song Seven (7x). To be specific, these dynamic motions include:
- “Activity” motion: 5x (Hinokishin verses 2, 3 (*preceded by ninōte), 4, washi mo yuko 5, kishin to naru naraba 7, similar to 3)
- “Carry basket” motion, which only appears in this Song: 2x (Tsuchimochi verses 5, 7)
- Ichiretsu type spin (“Turn around”) motion: 3x (Yashiki no (on heel) bakariya de (back step turn) verse 8, ichiretsuni verse 9.) Only Song Seven has more spins (4x) than Song Eleven. As of comparison, in Song Eleven, these three spins take place within two verses (8 & 9) whereas they occur in verses 4, 5, 8 & 10 of Song Seven
- Dancing while back toward altar: 3x (verses 3, 5, 7. Motions of hands and feet happen to be opposite from one another for 3 & 7)
- Motions for tsuchi o hori torite in verse 8. ↩
Song Ten
Verse 1
一ツ ひとのこゝろといふものハ ちよとにわからんものなるぞ
一つ 人の心と言うものは 一寸に分からん
Hitotsu / Hito no kokoro to yū mono wa / choto ni wakaran mono naruzo
One / People’s heart-minds / do not understand in the least
Song Nine
Song Nine is about missionary work. It begins with the phrase go around once and twice in this wide world to engage in salvation work.
Verse 1
一ツ ひろいせかいをうちまわり 一せん二せんでたすけゆく
一つ 広い世界を打ち回り 一洗二洗で救け行く
Hitotsu / Hiroi sekai o / uchi mawari / issen nisen de / tasuke yuku
One / [This] wide world / clap and go around / wash once, wash twice / go to save
Song Eight
Song Eight’s themes are “construction” and using construction as a metaphor for engaging in salvation work. It is a Song that concerns the gathering of human resources used to reconstruct the world into that of the Joyous Life as well as the way we are to handle the mind in order to have this construction proceed.
Verse 1
一ツ ひろいせかいやくになかに いしもたちきもないかいな
一つ 広い世界や国中に 石も立木もないかいな
Hitotsu / Hiroi sekai ya kuni naka ni / ishi mo tachiki mo nai kai na
One / [This] wide world and countries within / are there not any rocks or trees?
Song Seven, verses 9–10 & Summary
Verse 9
九ツ こゝハこのよのでんぢなら わしもしつかりたねをまこ
九つ 此処は此の世の田地なら 私もしっかり種を蒔こう
Kokonotsu / Koko wa kono yo no denji / nara / washi mo / shikkari / tane o mako
Nine / Here is this world’s rice field / if / I too / firmly / sow seeds
Song Seven, verses 3–8
Verses 3–5
三ツ みなせかいのこゝろにハ でんぢのいらぬものハない
三つ 皆世界の心には 田地の要らぬ者は無い
Mittsu / Mina sekai no / kokoro ni wa / denji no iranu mono wa nai
Three / All the world’s / heart-minds / rice fields / do not want / there is no one